... ...

Work in Progress A VERY UNIQUE GIFT

Posted in JOURNAL, Performance

RESEARCH PRESENTATION SODA/HZT BERLIN:  OCTOBER  11th @ UFER STUDIOS BERLIN

 

 

Pictures from KEYWORDS_REQUIRED @Gr_und

 

« FragtMorgenWieder » (sound foutain) Decorative-fountain, mini speaker, soundtrack – 2010

« Spaceship » A performative installation – Unknown materials – 2017 (with the complicity of Kevin S. Morrison)

« Spaceship » A performative installation – Unknown materials – 2017 (with the complicity of Kevin S. Morrison)

« Spaceship » A performative installation – Unknown materials – 2017 (with the complicity of Kevin S. Morrison)

« Spaceship » A performative installation – Unknown materials – 2017 (with the complicity of Kevin S. Morrison) The Voyager Spaceship has landed in a human-art gallery in Berlin, in July 2017. During the vernissage, art visitors and human artists exchanged words and sounds in the Spacheship that turned out to be a recording device.

Radio Broadcast of the new edition of The Voyager Radio Show, with interviews and sounds by human art-visitors Listen to The Voyager Radio Show here: http://www.paulinepayen.net/projects/the-voyager-radio-show/

 
 

STEREOSCOPY in Belgrade

Posted in Exhibitions, JOURNAL

THE WAY OBJECTS GO, Group Show opened its doors. It is a beautiful exhibition.

To see all the pictures click on the image

 

Stereoscopy @ Podroom Gallery, Belgrade

SETTING UP:

 

 

THE WAY OBJECTS GO Group Show @ Cultural center BELGRADE

The Way Objects Go
7-27 July 2017
Podroom gallery, Cultural Center Belgrade

 

The exhibition explores – through the medium of moving images – the different links that human beings build up with objects in the beginning of the 21th century.
The invited artists question the new realities of the object in times of dematerialized transactions and porous limits between fiction and reality, materiality and virtuality. The artworks aim to symetrically think on how objects influence the definition of our individual and collective identity.

Anthony Bodin, Samuel Buckman, Jimmie Durham, Rodrigo Cass, Michel François,
Laura Gozlan, Max Hattler, Siniša Ilić and Tina Gverović, Ailbhe Ni Bhriain, Pauline
Payen, Babeth Rambault, Miloš Tomić, Annegien van Doorn

A proposition by L’Œil d’Oodaaq / Isabelle Henrion & Nyima Leray

 

FACEBOOK EVENT 

 

 

 

IF IT’S NOT SHARP IT WON’T CUT

Posted in JOURNAL, Performance

RESEARCH PRESENTATION OF M.A SoDA @ HZT Berlin

CLICK ON IMAGE FOR MORE INFO

 

Keywords Required Exhibition @ Gr_und BERLIN

keywords_required
A group exhibition with Yann Vanderm, Pauline Payen, Elena Katz and Ssmidd

01-22.07 2017
Thu-Sat 4-7 pm

Vernissage 30.06.2017 – 7 pm
Performance by Elana Katz

Finissage 22.07.2017 – 7 pm
Performance by Pauline Payen

This project has been supported by Fondation Nationale des Arts Graphiques et Plastiques.

 

“The majority of gallery visitors are art enthusiasts, casual visitors and vernissage guests – in other words nice-to-have visitors – and collectors and art professionals form only the minority” of the public. (M. Resch, Management of art galleries, 2015)

According to the report of GmbH 2017, more than 70% of the exhibition visitors are less interested in the presented artworks and their concepts or in an exchange with artists than in the probability to meet curators and gallerists that can push their career; not to mention the possibility of getting cheap drinks.

These facts make us, curators, think twice about which artists and works to present in a proper conceptual direction, in order to create a meaningful and coherent group exhibition.

The serious question we might ask now is what makes an exhibition more meaningful than another? According to which criteria should an art show be evaluated? The numbers of visitors? The profit of the sales of drinks at the bar and of artworks? The feedbacks from art critics and audience? The smile on the curators’ faces?

In the group show “keywords_required” we propose to artists, art lovers, collectors and nice-to-have visitors to question what motivations lead the public here and what information they receive. To evaluate the meaningfulness of the exhibition, we selected a list of conceptual keywords that permitted us to set up a sample of artists who are likely to reuse and reinterpret them, to find out if these are transmitted to the public.

 

FACEBOOK EVENT

 

WOLSO DO NAILS @ WORLD WIDE WASTE

A Manifesto Exhibition on Nails





 

WOLSO DO NAILS @ WORLD WIDE WASTE

Wasteband presents their first event of World Wide Waste!
I will hold the WOLSODONAILS salon.

 

* Trailer by Zabo Chabiland

 

Panelist @ INVENTUR # 2

I will hold the panel Strategies of Empowerment together with the talented Agata Siniarska, Vala Tomasz Foltyn , and Maque Peyrera during INVENTUR #2 in Düsseldorf. Program under.

FACEBOOK EVENT 

 

 

Panels, Lectures, Live Acts, Performances

Topics: Globalism / Postcolonialism
Audience and Attention
Bodies in Crisis / Dance and Crisis
Social Practices and the Inherent Politics of Dance
Education
Performing the Museum
Expanding the Institution
Theory
Strategies of Empowerment / The Force of Dance

With: Anurima Banerji, Rustom Bharucha, Claire Bishop, Jonathan Burrows, Panaibra Gabriel Canda, Nora Chipaumire, Bojana Cvejić, Dan Daw, Gurur Ertem, Vala Tomasz Foltyn, Susan Leigh Foster, Sujata Goel, Trajal Harrell, Maria Hassabi, Ana Janevski, Janez Janša, Bojana Kunst, Ralph Lemon, Lina Majdalanie, Babette Mangolte, Achille Mbembe, Joe Moran, Rabih Mroué, Sandra Noeth, Opiyo Okach, Jay Pather, Pauline Payen, Manuel Pelmuş, Maque Pereyra, Javiera Peon-Veiga, Chantal Pontbriand, Laurence Rassel, Jan Ritsema, Lia Rodrigues, Georg Schöllhammer, Agata Siniarska, Gabriel Smeets and Susana Tambutti

Performances: Raimund Hoghe, Mithkal Alzghair

Concept: Sigrid Gareis, Gabriele Brandstetter, Martina Hochmuth, Bettina Masuch

Registration is open: http://bit.ly/Inventur_2017

The event will be held in English.

INVENTUR 2 wants to analyse the current situation within contemporary dance and performance art, across genre boundaries and in a cross-sectoral manner. 12 years after the first INVENTUR, which took place in Vienna in 2005, the field’s most prominent performers discuss central topics within the latest developments of contemporary dance and art, all the while taking in consideration current political, ecological and economic crises. In 9 panels, both the inventory as well as the inventory-taking itself will be up for discussion.

An event of the Arts Foundation of North Rhine-Westphalia in collaboration with the tanzhaus nrw, supported within the framework of the Alliance of International Production Houses by the Federal Government Commissioner for Culture and the Media. INVENTUR 2 takes place within the framework of the European Dancehouse Network (EDN), co-funded by Creative Europe Programme of the European Union.

I am the Lottery Winning Genius or Stories of the Man of Shit PREMIERE @ Platforma Festival in ZAGREB

Posted in JOURNAL, Performance

The Solo I am the Lottery Winning Genius or Stories of the Man of Shit premiered during the TASK Festival of Platforma HR in Zagreb last April!

See all pictures of the festival here: PlatformaHR/photos

 

22/04
POGON JEDINSTVO
I am the Lottery Winning Genius or Stories of the Man of Shit. – P. Payen (FR/SODA)

 

22/04
POGON JEDINSTVO
I am the Lottery Winning Genius or Stories of the Man of Shit. – P. Payen (FR/SODA)

 

I am the Lottery Winning Genius @ Platforma Festival in ZAGREB

Posted in JOURNAL, Performance

 

Presenting the solo I am the Lottery Winning Genius or Stories of the Man of Shit @ Platforma Festival in Zagreb, April 22nd

 

 
TITLE:
I am the Lottery Winning Genius or Stories of the Man of Shit.

AUTHOR AND COLLABORATORS:
Pauline Payen alias Jelena Alempijevic, alias Blai Costa Ferrer, alias Simone Gisela Weber.
Developed in the frame of SoDA research @ HZT Berlin.

SHORT DESCRIPTION:
Where do our desires come from? If My Self is multiple, penetrable, desiring and desired, where is the point of resistance? Where and when can I penetrate back? Where and how should I set a limit? And can this limit take the shape of a “We” in a world of “I” ? Can this “We” be more inclusive? And if I+I=We, then who are They?!
We are not what they want I to be. I do not intend to fight against but for. I am not anything we say they want. And so she said.

 

20 Seconds for the Elephants.

Posted in Miscellanious

 

I am invited by Jean-Paul Sidolle to participate in his project « Memoires d’elephants ». have a look at the website:

jpsidolle.free.fr/Payen%20928.htm

 

20 Seconds, video by Pauline Payen, 2016


 

OVNi Festival 2016 Diaporama

See the pictures of OVNi 2016 on our website:

www.ovni-festival.fr

 

IL CAPO from Yuri ANCARANI presented by MONA, Hobart in the room of Parmiggiani at Hotel Windsor

OVNi 2016 Opening @ Hotel Windsor

December 2nd 2016, Hotel Windsor, Nice / France.

Join us to celebrate the opening of OVNi at Hotel Windsor.
This year again I have been working on the display of the exhibition and setting up the website. A beautiful experience.

The Chandelier, by Steven Cohen, video performance presented by La Maison Rouge for OVNi

WASTEBAND PawliP Human Sound System @ Ida Schmidt

Join for a special Brunch by Ma Patissiere acoompanied by the Pawli P Human Sound System

A live radio experiment with Wasteband.

October 9th 2016 @ Ida Schmidt Gallery, Brooklyn/New York

« …but was this funny? was this funny? was this funny? why was this funny? why was Sugar Kane funny? why were men dressed as women funny? why were men made up as women funny? why were men staggering in high heels funny? why was Sugar Kane funny, was Sugar Kane the supreme female impersonator? was this funny? why was this funny? why is female funny? why were people going to laugh at Sugar Kane & fall in love with Sugar Kane? why, another time? why would Sugar Kane Kovalchick girl ukulelist be such a box office success in America? why dazzling-blond girl ukulelist alcoholic Sugar Kane Kovalchick a success? why Some Like It Hot a masterpiece? why Monroe’s masterpiece? why Monroe’s most commercial movie? why did they love her? why when her life was in shreds like clawed silk? why when her life was in pieces like smashed glass? why when her insides had bled out? why when her insides had been scooped out? why when she carried poison in her womb? why when her head was ringing with pain? her mouth stinging with red ants? why when everybody on the set of the film hated her? resented her? feared her? why when she was drowning before their eyes? I wanna be loved by you boop boopie do! why was Sugar Kane Kovalchick of Sweet Sue’s Society Syncopaters so seductive? I wanna be kissed by nobody else but you I wanna! I wanna! I wanna be loved by you alone but why? why was Marilyn so funny? why did the world adore Marilyn? who despised herself? was that why? why did the world love Marilyn? why when Marilyn had killed her baby? why when Marilyn had killed her babies? why did the world want to fuck Marilyn? why did the world want to fuck fuck fuck Marilyn? why did the world want to jam itself to the bloody hilt like a great tumescent sword in Marilyn? was it a riddle? was it a warning? was it just another joke? I wanna be loved by you boop boopie do nobody else but you nobody else but you nobody else… »
Joyce Carol Oates, Blonde

 

WSTBND NOW WHAT TOUR / New York

WSTBND is in NYC @IDA SCHMIDT Gallery / Brooklyn

For More Info about the Gallery: http://blog.splacer.co/2016/03/community-spotlight-ida-schmid/

WASTEBAND a berlin collective
with Zabo Chabiland, Kevin S. Morrison, Nicolas Puyjalon, Magalie Rivière, Virya Lynch, Mathilde Melek An, and more and more and more…

Facebook Event 
14542357_356765594662595_1176492174203443520_o

 

 

OVNi Video Festival SECOND EDITION <3

 

I am so proud of the second edition of my OVNi festival in Nice .

http://www.ovni-festival.fr/

Working with Odile Redolfi, Haily Grenet, Claude Valenti, and all the wonderful participating structures, we are preparing our landing to earth at the Windsor Hotel on December 2nd 2016.

Cheers

 

 

NUIT DES ARTS / Rennes

Posted in JOURNAL, Screenings, Sound

ND4J_01-04-16_404x404[1]

 

Dans une idée proche des ciné-concerts, l’Œil d’Oodaaq propose pour la ND4J une rencontre insolite entre vidéastes et musiciens pour une soirée de création et d’improvisation autour de vidéos d’artistes contemporains.

∵ ∴ ∵ ∴∵ ∴ ∵ ∴∵ avec les musiciens ∵ ∴ ∵ ∴∵ ∴ ∵ ∴∵

Arno Bruil, Morgan Daguenet, Robin Poligné

178°

Lancelot Blanchard, Claire Denjean, Hugo Stievenard, étudiants du conservatoire, classe d’Hervé le Bitter

Julia Berrubé, Gabrielle Lubliner, Sanisa Tulyasukh, Héloïse Aloncle, Mélanie Auvray, Mathilde Pasquet, Martina Vera D’Agostino, Margot Le Meur, Jaco Caputo, Théo Joy, Anatole Pinel, Jonathan Douis, Manuel Peraud, Rozen Tanguy, étudiants de l’EESAB, classe de Luc Larmor.

∵ ∴ ∵ ∴∵ ∴ ∵ ∴∵ et les vidéos de ∵ ∴ ∵ ∴∵ ∴ ∵ ∴∵

Christian Niccoli
Ben Russell
Lindsay Benedict
Alex Mira
Ailbhe Ni Bhriain
Damien Le Dévédec
Jeymer Gamboa
Sylvia Donis
Aurélie Garon
Guillaume Linard-Osorio
Pauline Payen
Thibault Jehanne

 

 

STUFFS and…

Posted in Drawings, JOURNAL

Stuffs-01_PPayen16

Stuffs-02_PPayen16

 

 

STORIES

Posted in Drawings, JOURNAL

Stories-01_PPayen16

Stories-02_PPayen 16

 

 

SoDA Master Class @ HZT

NoOneIsAnIsland_PPayen16

 

Starting this April 2016, I had the chance to be selected for the SoDA 2016-2018 Master Class at the School for Contemporary Dance in Berlin (HZT), presenting a performance research project « No One is an Island ». LINK SoDA

 

 

Stones

Posted in Drawings, JOURNAL

Stones_PPayen16

 

 

Lake0351

Posted in JOURNAL, Photography

Lake0351

 

 

OVNi Festival

Posted in JOURNAL, Miscellanious

OVNi-Horizons

I am proud to come back from this first OVNi edition in Nice, wich I co-organised and coordinated with Odile Redolfi.
It was a rich experience and we hope to continue. www.ovni-festival.fr 

Disgrace

Posted in JOURNAL, Photography

Disgrace,-Pauline-Payen,-2015

 

 

Voiding in 2015

Posted in JOURNAL, Performance

 

Voiding-at-Glogauair

Picture by Galya Feierman http://galyaphoto.com/

 

 

Ultimate StattBerlin

Posted in Exhibitions, JOURNAL

invitation-Ultimate-Statt-Berlin

Ultimate stattberlin
Video night @stattberlin
Fri 04.09.2015
From 7 pm

After three years of intense activity and more than thirty exhibitions, the incredible adventure of stattberlin has thus come to an end.
On this occasion, we are pleased to invite you to our ultimate event which will be dedicated to video art. Video screening and installations, video live performance and DJ sets will be on the menu.
Zabo Chabiland (http://zabo-chabiland.com)
Lan Hungh (http://www.lanhungh.tk/)
Kevin Morrison (http://kevinsteelemorrison.com/)
Pauline Payen (http://www.paulinepayen.net/)
Damien Sayer (http://damiensayer.tumblr.com/)
10 pm
VJing session: Hadron, aka Martin Holzmeister (www.hadron.ws)
Sound: VONVERHILLE (https://soundcloud.com/vonverhille)
11 pm – DJ set
Poperttelli (https://soundcloud.com/poperttelli)
VONVERHILLE (https://soundcloud.com/vonverhille)
and more

Lottumstr. 1 – 10119 Berlin
stattberlin@gmail.com
stattberlin.tk
T: +49(0)1738983451

 

Twenty-Seconds-Video_Installation_stattBerlin_Pauline-Payen
View of the Twenty Seconds Video Installation for the show
See the video : http://www.paulinepayen.net/projects/twenty-seconds-videos/
 

 

KIOSK no 74: THE VOYAGER

1_1433770027_b

Im pleased to present the publication of the Kiosk no 74 edition for July 2015 Invited by Clementine Roy, I invited Magali Auzier to do the publication on our experimental radio project « The Voyager ». Pictures for sounds!

 

Find the edition here:
www.kiosk.clementineroy.com/KIOSK74


 

Interscreening Festival @ Westpol Liepzig

Westpol Interscreening


Three of my works will be presented during the screenings program and as ongoing installations during the whole week.

Freie Arbeiten der am Festival teilnehmenden Künstler_Innen:

Katrina Blach / Mikael Eriksson / Annett Gerlach / Sven Glatzmaier / Felix Leffrank / Andreas Miller / Stephan Murer / Pauline Payen / Daniel Pauselius / Nans Quétel / Nicolas Rupcich / Anna Schimkat / Johann Steer / Doreen Schuster / Jörg Schütze / Stefan Schwarzer / Thomas Victor / Clara Wieck / Nina Wiesnagrotzki

Westpol A.I.R. Space
Westwerk, Karl-Heine-Str. 85, 2. OG
04229 Leipzig

www.westpol-air-space.de
facebook.com/Westpol.Air.Space

Oodaaq Festival 2015

Posted in Exhibitions, JOURNAL

oodaaq-2015---01

oodaaq-2015---02
 

The video Born to be alive will be presented at Cité de la danse du Triangle, in Rennes from the 20th to the 24th of May.
And The video Est-ce un Mythe, l’éternel passage des nuages? (…) will be presented
in Rennes between the 20th and the 24th of May,
in Nantes between the 29th and the 31st of May,
and in Saint-Malo between the 4th and the 7th of June.

 

 

Black Box Exit / Lebenzeichen

Posted in JOURNAL, Performance

 

  • BBE_01_PP15
  • BBE_02_PP15
  • BBE_03_PP15
  • BBE_04_PP15
  • BBE_05_PP15
  • BBE_06_PP15

 

Eine Superagentin. Ihr Körper ist eine Blackbox – ein Speicher lebensrettender Informationen, eine Hülle mit sehr persönlicher Anbindung, eine Leerstelle. Nach einem furchtbaren Ereignis findet sie sich in einer leergebombten Wohnung wider.
Julia Philippi steht als Protagonistin, als Superagentin, als tragende Kraft auf der Bühne und begibt sich mit höchster Aufmerksamkeit auf die Suche nach dem, was sich hinter den Leerstellen befindet. Von ihren Erinnerungen getrieben, manipuliert durch undurchschaubare Algorithmen, sammelt sie wie ein Messi alles auf das ihr begegnet.
 
BLACKBOX EXIT / LEBENSZEICHEN ist eine Stückentwicklung des Duos Georgi / Philippi und die zweite gemeinsame Arbeit am Ballhaus Ost. Zusammen mit Michael Semper suchen sie nach einer Interaktion der Blackbox Theater mit der der Bilder- und Datenflut anderer Realitätsspeicher. Einzelne gesellschaftliche Phänomene werden bearbeitet und bis hin zum kitschig surrealen Moment überreizt. Die Arbeit wird durch Bilder und Videos von Sarah März und Pauline Payen vervollständigt und auf dem Blog www.blackboxexit.de fortgeführt.
 
Erfahren Sie mehr & verfolgen Sie den Proben-Countdown bis zur Premiere auf unserem Blog www.blackboxexit.de.
 
Ein Stück von und mit Clarissa Georgi, Sarah März, Pauline Payen, Julia Philippi und Michael Semper
Texte Jan Liedtke*, Anna Philippi, Lydia Tschukowskaja*, Bastian Winkler u.a.
Tatkräftig unterstützt von Elisabeth Friedrich, André Jagusch,
In Kooperation mit dem Ballhaus Ost
 
Premiere am 26. März 2015 um 20 Uhr
Weitere Termine: 28. Und 29. März 2015 um 20 Uhr
Ort: Ballhaus Ost, Pappelallee 15, 10437 Berlin www.ballhausost.de
Karten: 13 / 8 € unter 030 440 39 168 oder karten@ballhausost.de
 
 

HUHUHU at Lake Studios, Berlin

Posted in JOURNAL, Performance

HUHUHU_LakeStudios_PP_2015

 
HUHUHU CHOREOGRAPHIC EXPERIMENT:

 
WHICH IS THE UTOPIC POTENTIAL OF A BODY THAT’S OUT OF CONTROL? WHAT CAN HAPPEN WHEN YOU GET CHANGING IMPLIED RULES CREATED IN THE RELATIONSHIP BETWEEN BODIES THAT ARE MOVED BY THE PRACTISE? WHAT LANGUAGE DOES IT PRODUCE? WHICH FORMS OF INVENTION DOES IT ACTIVATE? WHICH NEW POSSIBLE DYNAMIC CAN IT STATE?

 
HUHUHU is a ready made trance practice, obtained from the simplified meditation of Osho, it can be downloaded and visioned for free online. « Can I » has used it as an exercise for deconditioning. The purpose of finding a practice that can loosen up or shift the ordinary perception that we have of ourselves and of the world we live in. For an established lenght of time, the participants jump ,shouting « HUHUHU » The initial intuition to experiment with the participants, is that of an exercise that can trigger off or nevertheless create the conditions for a mechanism based on no established rules that are confirmed and modulated during the practice. The physical exhaustion moves the focus from the participants activity to the physiological. The vocal frequencies initiate a common feature amongst the Group, it becomes the gene that’s halfway between the animal species and the human race.
• On a physical level, the experiment consists on submitting the body in recognizing resting strategies, loosening up the control of the body and negotiating other solutions as the exercise proceeds in on a non established negotiation of a rhythmic nature.

 
http://lakestudiosberlin.com/ / https://paolastellaminni.wordpress.com/portfolio/paola-stella/ https://monicagentile.wordpress.com/
 

Parc

Posted in JOURNAL, Sound

« Parc » is a 4 minute audio piece from 2014. The specific sounds were produced with processed recordings of water, electric guitar, and human whistles. The result evokes the atmosphere of a jungle with its wetness and whistling birds.

 

 

Kunstfilmtage Düsseldorf

www.kunstfilmtage.de

 

kft_flyer-1

 

kft_flyer-2

 
 

Meanwhile, in the streets… :

Nach Halloween Pauline Payen 2014

 
 

A Tea Party in the Happy House

Event at L’ATELIER KSR :  Saturday 18. October, 4 – 7 pm
Ma Pâtissière (Magali Rivière) and PiPi’NPee Records (Nicolas Puyjalon and Pauline Payen)
An event initiated by Nicolas Puyjalon for his solo show  ‘HAPPY HOUSE’

théière

«Would you like an adventure now,» he said casually to John, «or would you like to have your tea first?»
J.M. Barrie, Peter Pan
«Vous souvient-il que c’est là l’endroit de notre première entrevue ? On vous a apporté des mirlitons, le sucre en poudre faisant une moustache blanche à votre joli bec. Vous étiez charmante à donner envie de vous croquer comme les gâteaux.»
Gustave Flaubert, lettre à Amélie Bosquet, 26 octobre 1863

 

  • tea_party_pipinpee_atelierKSR_2014_01
  • tea_party_pipinpee_atelierKSR_2014_02
  • tea_party_pipinpee_atelierKSR_2014_03
  • tea_party_pipinpee_atelierKSR_2014_04

Listen to the Radio Piece created for the Event here http://www.paulinepayen.net/projects/looking-for-pinnochio/
MORE INFO HERE: http://latelier-ksr.com/?page_id=1232   /   mapatissiere.blogspot.de   /   cargocollective.com/nicolaspuyjalon

1+1=3 , @ the Idling Gallery

  • 1+1=3-at-Idling-Gallery-June14-P.Payen-01
  • 1+1=3-at-Idling-Gallery-June14-P.Payen-03
  • 1+1=3-at-Idling-Gallery-June14-P.Payen-07
  • 1+1=3-at-Idling-Gallery-June14-P.Payen-08
  • 1+1=3-at-Idling-Gallery-June14-P.Payen-06
  • 1+1=3-at-Idling-Gallery-June14-P.Payen-04
  • 1+1=3-at-Idling-Gallery-June14-P.Payen-05

Extract of the german version of the text, written on the computer whilst read in english and said in french:

 »
Ich werde über ien problem sprechen. Ich würde genre über ein wunsch sprechen.
Ich würde gerene in deine augen gucken für imm
meine augen in deine für immer versteken dass heisst: in deine piulpillen
die abbyssen sind .
Dise undenlich andersartigkeit bewundern
du ich millairden face millaidern reflectkionnen
ein einmziger puls
ich möchte in die Ewigkeit und ihre absolute ruhe eintauchen.

Ja aber siehe da: für Blich man braucht zwei augen
dass heiist 1+1=3
wenn ich versuche meine augen an das wunderschöneschöne bild die seele
und exywigkeit das ist keins puls mehr nur noch lästig

ich kann nciht in deine linke auge recht und link gleichtig.
Ich kann nur naviguer von recht bois link s und liknks rechts
oder ich ich dsollte eine seite wählen
ich will kein seite wählen

mein absolut ist ruiniert von mechanichs sichtebar
ich stopleere du stopelrst wir sind blockiert. Und blockiert reizt  »

SEE MORE ON THE PROJECT HERE : http://www.paulinepayen.net/projects/113/

Mal wieder Freitag der 13

I am invited by Ann Schomburg and Iris Musolf to present the performance 1+1=3 for the Finissage of the show, as well as Bonjour tristesse during the screening following the performance. @ The Idling Gallery, Markgrafenstrasse 58 / Berlin Mitte. Friday 20th June 19h00.

more infos on the gallery  here: www.society-trash.com/gallery.htm

Freitag-der-13

 

 

Birthday Cheer new video-clip

Posted in JOURNAL, Video clips

The new video clip I made for the singer Unowned artist is on-line! Since summer 2013, we have been working together from a distance, and will continue this wonderfull collaboration in the future. You can visit Unowned Artist website here.

 

Satellit

Projet d’installation de la vidéo Satellit. En attente de financement.
Diamètre de rotation: 2m40.

satellit_projet_ppayen_2014

window-corner-morning-rainbow

Posted in JOURNAL, Photography

window-corner-morning-rainbow
Found one morning, a mini rainbow that landed right at the corner of the living-room window.

Les Spiritueuses

Posted in Exhibitions, JOURNAL

Les_spititeuses_expo_standards

A l’invitation de Standards (site ICI) PP est invitée a montrer deux œuvres vidéos dans le cadre de l’exposition Les Spiritueuses dont vous trouverez le concept expliqué ICI.